In American studios, producers weren't constantly hunting for financing, and unlike under French law, directors didn't necessarily get final cut. Jacques-Éric Strauss's introduction to production came when Fox studio head Daryl Zanuck threw the script for The Sicilian Clan on the floor and told him it was the worst thing he'd ever read...then financed it anyway. Some adopted American vertical integration methods, producing and distributing while also running labs and cinemas—a scheme that pit creative producers against corporate bigwigs.