Alejandro Egido returns to his paternal family’s village, a place on the Castilian plateau that, for years, he has only visited to bury relatives. There, he spends a few days with Carmen and Tomasa, his grandfather’s sisters, who share a daily life shaped by routine and absence. Through an intimate narrative, Hasta mañana si Dios quiere draws a subtle parallel between the fragility of human life and that of a village on the verge of disappearing.